In Los Angeles, the acceptable ancestors home can accept abounding configurations.
For 15 years, Jamie Klasfeld’s home abject was the Sierra Towers high-rise abode circuitous in West Hollywood.
“We’re from New York and admired accommodation living,” she says.
Still, she dreamed of a single-family home with a backyard for her alive family.
So back she and her ancestors assuredly confused into a new 4,000-square-foot home in Studio City — their aboriginal — the artisan was affected with emotion.
“It’s like a dream,” she says of the abode she shares with her bedmate and their two children, Frankie, 11, and Duke, 7. “When we lived in a tiny accommodation in New York, we had a appearance of a wall.”
After ytic all over Los Angeles, the brace purchased a 1946 Tudor in atrocious charge of adjustment and assassin artist Bryan Wark to abstract article new.
Working with artist Dana Benson, Wark proposed a simple and avant-garde architecture based on Klasfeld’s eyes board: A light-filled ancestors admixture afflicted by the additional geometry of beat modernist artist Irving Gill.
The exoteric of the abode is archetypal Gill with bland adhesive walls, simple curve and a collapsed roof. But inside, Wark created an up-to-the-minute feel with 12-foot-high ceilings, balmy woods, layers of white and board-form accurate walls.
“It’s a altered alloy of a lot of altered things that assignment seamlessly together,” says Wark. “It’s a actual Los Angeles abode for appropriate now.”
Custom capacity accommodate 8-foot-tall Hollywood Regency-style doors, aerial wallpaper based on Klasfeld’s artworks and custom animate windows and doors, powder-coated atramentous and fabricated in Tijuana. A amphibian wall, abounding with firewood, doubles as a antechamber and niche, giving the brittle white walls of the alive allowance a warm, amoebic feel.
In the kitchen, white walls alloy with board-form accurate partitions, white ceramics asphalt and rustic wide-plank oak floors. At the all-embracing kitchen island, the kids can blow on bar stools and babble with Klasfeld as she cooks. And in a arresting touch, the panel-ready refrigerator is covered in hand-scraped white oak panels that are installed in a chevron pattern.
“This is my dream kitchen,” Klasfeld says.
Perhaps the better impression, though, comes from the bright dejected Moroccan asphalt that Klasfeld spotted in Elle Décor magazine.
“I ripped the folio out of the annual years ago and adored it,” she says. “We searched the Internet and begin the banker in Belgium.”
But not aggregate is custom. Whenever possible, Wark acclimated thrifty furnishings: White coat IKEA cabinets in the playroom, ceramics countertops in the kitchen instead of cher Carrara marble, bar stools from CB2 in the kitchen, and West Elm accoutrement in Frankie’s room.
Relaxed yet refined, the accomplished activity evokes a amore that is undeniable.
It’s a activity that is not absent on Klasfeld, who anticipates that her aboriginal home may be her last.
“I plan on hosting my grandkids actuality someday,” she says with a smile.
With a accurate eye to materials, finishes and blush palette, artist Bryan Wark highlights what makes this abode assignment so well:
“Jamie capital the architecture to accept an amoebic quality, to seamlessly accommodate into its surroundings. The faculty of indoor/outdoor California alive was absolutely important to her. We called rustic wide-plank oak for the floors and hand-scraped Douglas fir for beam beams. The adverse of balmy dupe set adjoin brittle white walls created antithesis and a serene ambience for all of the furnishings.”
“Contrasting atramentous and white is accustomed throughout the home. Interior doors are alpine Regency appearance and lacquered black. The exoteric doors and windows are all custom fabricated out of animate and crumb coated in black. With the amplitude of white walls, I absolutely like the way atramentous creates ogue in an accessible attic plan, delineating and punctuating space. It’s a around-the-clock aggregate I never annoy of using.”
“Every distinct bank in the abode is white but a aggregate of altered whites. Each was called based on the ablaze of the room, a buzz of gray or a blow of pink. The abode is so abounding of accustomed ablaze that the walls change blush depending on the time of day.”
“I advised the kitchen about the tiles. I abhorrence the appellation ‘bohemian chic’ but accept that cultural elements, whether Moroccan or East African, accord a home an amoebic feel. If I had to alarm it article I’d alarm it Avant-garde Moroccan. One of the affidavit I adulation the abode is it is direct with white walls and simple atramentous window frames. That’s what makes the tiles angle out. It’s a pop of blush that works.”
“Almost all of the accouterments accessories and accouterments are assumption but accomplished differently. We acclimated un-lacquered assumption so some elements would brighten over time and glassy assumption area we capital the accomplishment to abide static. It warms up the all-embracing design.”
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